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David Bowie Retrospective Series – Part 5: Nothing’s Gonna Touch You in These...
In preparation for The Next Day, David Bowie’s first album of newly-recorded material in ten years, I’ll be taking a retrospective look at each of the singer’s official studio albums ranging from 1967...
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David Bowie Retrospective Series – Part 6: Waiting for the Gift of Sound and...
In preparation for The Next Day, David Bowie’s first album of newly-recorded material in ten years, I’ll be taking a retrospective look at each of the singer’s official studio albums ranging from 1967...
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David Bowie Retrospective Series – Part 7: We are the Goon Squad and We’re...
In preparation for The Next Day, David Bowie’s first album of newly-recorded material in ten years, I’ll be taking a retrospective look at each of the singer’s official studio albums ranging from 1967...
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David Bowie Retrospective Series – Part 8: Believing the Strangest Things
In preparation for The Next Day, David Bowie’s first album of newly-recorded material in ten years, I’ll be taking a retrospective look at each of the singer’s official studio albums ranging from 1967...
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David Bowie Retrospective Series – Part 9: Too Dizzy
In preparation for The Next Day, David Bowie’s first album of newly-recorded material in ten years, I’ll be taking a retrospective look at each of the singer’s official studio albums ranging from 1967...
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David Bowie Retrospective Series – Part 10: Never Born, So I’ll Never Get Old
In preparation for The Next Day, David Bowie’s first album of newly-recorded material in ten years, I’ll be taking a retrospective look at each of the singer’s official studio albums ranging from 1967...
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David Bowie Retrospective Series – Part 11: Strangers When We Meet
In preparation for The Next Day, David Bowie’s first album of newly-recorded material in ten years, I’ll be taking a retrospective look at each of the singer’s official studio albums ranging from 1967...
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David Bowie Retrospective Series – Part 12: Nothing Has Changed. Everything...
In preparation for The Next Day, David Bowie’s first album of newly-recorded material in ten years, I’ll be taking a retrospective look at each of the singer’s official studio albums ranging from 1967...
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David Bowie Retrospective Series – Part 13: Not Quite Dying
In preparation for The Next Day, David Bowie’s first album of newly-recorded material in ten years, I’ll be taking a retrospective look at each of the singer’s official studio albums ranging from 1967...
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David Bowie Retrospective Series – Part 14: “My Dear Man, I Am Not Pissing in...
The Live Albums: Bowie at the Beeb Sure, it’s not as much a live album as it is a compilation of early radio sessions, but Bowie at the Beeb nevertheless captures some great performances at a rarely...
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Please Help The Cause Against Willful Idiocy
“You used to be so amused At Napoleon in rags and the language that he used Go to him now, he calls you, you can’t refuse When you got nothing, you got nothing to lose You’re invisible now, you got no...
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“Never Take Sweets from a Stranger” (1960) Review
“Never Take Sweets from a Stranger.” – Think about that title for a just a few seconds, and you’ll have a pretty good idea as to what this film is about. And coming from the infamous house of horrors,...
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“Psycho II” (1983) Review
There are a number of films to have garnered such a strong legacy that the thought of a sequel and the evolution into a cinematic franchise is kind of nauseating. I’m sure this feeling manifested...
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Psycho III (1986) Review
When a fan of Alfred Hitchcock’s original “Psycho” discovers that the film spawned a series of sequels, one can reasonably anticipate some hesitation in accepting the Bates tale as a horror franchise....
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“Five Easy Pieces” (1970) Review
When you think about movies that you’ve recently watched, you’ll likely remember a handful of titles that you really enjoyed and some others that you quite clearly disliked. It’s a bit more rare though...
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“Psycho IV: The Beginning” (1990) Review
If one were to describe Psycho IV in a single word, the word would be ‘unnecessary.’ And that is saying something coming from a stream of sequels that are all inherently superfluous. The third sequel...
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“The Witches” (1966) Review
When you pop in an entry from Hammer Films’ legendary horror film cycle, there is a certain subset of factors that one inherently expects from the resulting movie – Established veterans of macabre...
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Green Day –“Awesome as F**k” Review (2011)
Image courtesy of Wikipedia As polarizing as Green Day may be, there is one thing that even the band’s harshest critics might have to concede. From their early days of mud-slinging Woodstock...
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The Trial (1962) Review
Um… that was… well, something. I’m not quite sure what exactly, but it sure was… something. But before getting into the actual film, there is one other thing to address here – Orson Welles. The man is...
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Cash on Demand (1962) Review
Well, well. That’s something I didn’t think I’d ever see. As fans will likely know, Hammer Films shaped their infamous legacy by cranking out a wide array of low-budget films of varying genres. There...
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